The Robber Bridegroom's Wife
The Crusader
As a medieval and French history lover interested in Jeanne la Pucelle, this Paris expo caught my attention via social media.
In summary: Under the reign of Charles VII, art experienced an extraordinary rebirth. The exhibition “Arts in France during the time of Charles VII (1422-1461)”, presented at the Musée de Cluny – Musée National du Moyen Âge from 12 March to 16 June 2024, highlights this pivotal moment in the history of art.
For some historical context: If Charles VII is eclipsed by Jeanne, it’s at least somewhat understandable, as much from her impressive achievements as for his own (at least partially) debatable, and possibly even noncommittal role. For example, from what I recall it’s been easy to get the impression that he did too little to get her out of her Rouen imprisonment. (The armies raised for rescue attempts were financed by Jean de Brosse, counsellor and chamberlain to Charles VII, though I’m not sure if that was standard for the time.) I mean; is that too much to ask after she gets him crowned?! I also recall a French documentary suggesting that her trial of rehabilitation in 1456–twenty-five years after her burning at the stake–was partially to enhance his image and with the urging of his mistress, Agnès Sorel.
That’s not to discount the possibility of misinterpretation or automatically put all the blame on him, but it could add nuance and sadly fuels my recurring bittersweet impression that Jeanne was conveniently used and discarded. Even if in her humility she would’ve “accepted” it as part of her mission, her multilayered story can also serve as a memorable biting look into fickle human nature.
In any case, looking at the wider context of the era through this rarely explored artistic lens is a welcomed addition. The organizers have created a range of media to explore, and though it’s mostly in French, it’s worth checking out. You can read the full English press release and/or the more thorough material in French. There’s also a private visit video (with English captions) and a French hour-long podcast.
Last but not least, as a book lover, historical fiction writer and author (including of some medieval-influenced tales) my default is always to ask: “Is there a book of that?” and indeed there is the French catalog of the expo.
Speaking of books: I bought a pocket book of French medieval tales when I visited the Musée de Cluny during my last Paris visit, and loved immersing in this complete time capsule in the heart of the city. I hope I’m wrong when I say that it seems an underrated jewel location.
On a closing note, the below canopy image came to my attention via my recent read of Jeanne d’ Arc, Le procès de Rouen by French lawyer-writer Jacques Trémolet de Villers that graces its cover. Acquired by The Louvre in 2010, it is a possible representation of the “sign” spoken of by Jeanne to Charles VII to validate her cause to him and his entourage. There will surely be more ramblings on Jeanne in the future, which will be aggregated in time. 🙂